Apr 09, 2025 admin_bitlc Features, Music News, Reviews 0
By: Peter Thomas Ricci
Some musical artists possess the rare ability of transforming their fans into modern-day Ahabs who, with increasing desperation, search the Internet’s seas for evidence of new music. Kate Bush is one. D’Angelo is another. For a time, Jeff Mangum and Lee Mavers fit the bill. But probably the most apt musician in that mold was the inimitable Beth Gibbons, who recorded three albums as lead singer of Portishead (released in 1994, 1997, and 2008) and one solo album (the terrific ‘Out of Season’) in 2002. And for many years, that was it; in fact, Gibbons commitment to privacy was such that few interviews existed, let alone recordings of her speaking voice.
So you can imagine the surprise – if not outright shock – that accompanied the early 2024 announcement of ‘Lives Outgrown,’ Gibbons’ second solo album. Not only were fans being treated to an entirely new album of material from the elusive singer, but moreover, Gibbons’ Instagram feed – which has been sparingly updated since 2019 – suddenly became a space of tour postings, candid photos, and most astonishing of all, a short video of a kind, charming Gibbons thanking fans from her home in England.
I mention all of those details to establish the feeling of utter impossibility that accompanied Gibbons’ phenomenal performance at The Auditorium Theater on April 8, a concert that (similar to Neutral Milk Hotel’s tour in 2014) was as much a holy moment of ultimate spirituality as it was a musical performance. With a seven-piece band of singers and multi-instrumentalists backing her, Gibbons offered passionate interpretations of her new songs, along with two tracks from ‘Out of Season’ and, for the encore, the Portishead classic “Roads.”
The numbers are the critical thing: With seven musicians backing her, Gibbons was able to not merely recreate the layered post-rock sounds of ‘Lives Outgrown,’ but rather, to build upon them with the energy and urgency of a live performance. Whether it was the multi-part vocal harmonies of “Mysteries,” the soaring woodwinds and strings of “Floating on a Moment,” or the wailing soundscapes of “Beyond the Sun,” this was a band operating in total service of Gibbons’ vision, although – keeping with her private nature – Beth herself was hardly central to the performance. Almost always cast in shadows and spared the concert’s dynamic lighting, Gibbons stood at the mic with her characteristic double-grip, singing with a power and clarity that defied her 60 years. Despite the fervent (even frantic) audience calls that occasionally bubbled to the surface between tracks, this was a performance utterly devoid of ego.
One more element worth stressing is Gibbons’ sound, which could not be further removed from the sample-heavy, electronics-laden trip-hop that she, Adrian Utley, and Geoff Barrow pioneered with Portishead. Indeed, Tuesday night’s performance reaffirmed Gibbons as the keeper of the Talk Talk flame: Before Portishead hit it big in ’94, Gibbons auditioned to sing for O.rang, the band of Talk Talk alum Paul Webb and Lee Harris; ‘Out of Season’ was co-produced with Webb; and ‘Lives Outgrown’ was co-produced with Harris. It’s a tragic shame that Talk Talk vocalist and sage Mark Hollis, who passed away in 2019, is not around to see and hear Gibbons’ music; surely it would make him proud.
For more about Beth Gibbons, click here
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Setlist: Beth Gibbons live in Chicago at Auditorium Theatre – April 8, 2025
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