





{"id":38239,"date":"2019-09-07T10:46:06","date_gmt":"2019-09-07T15:46:06","guid":{"rendered":"https:\/\/beintheloopchicago.com\/?p=38239"},"modified":"2019-09-07T10:46:06","modified_gmt":"2019-09-07T15:46:06","slug":"theatre-review-writers-theatre-stages-exemplary-into-the-woods","status":"publish","type":"post","link":"http:\/\/beintheloopchicago.com\/?p=38239","title":{"rendered":"Theatre Review: Writers Theatre Stages Exemplary \u2018Into the Woods\u2019"},"content":{"rendered":"<p class=\"p1\">By Peter Thomas Ricci<\/p>\n<p class=\"p1\">One of the marque pleasures of theater-going is experiencing new talent for the first time. As enjoyable as it is seeing veteran actors tackle new roles \u2013 and indeed, it\u2019s a blast watching such artists take risks and upend expectations \u2013 there is a unique joy in seeing fresh performers leave their mark on the stage, and in Writers Theatre\u2019s production of Stephen Sondheim\u2019s \u201cInto the Woods,\u201d I experienced such a jolt from Ximone Rose, who portrayed Cinderella in the fairy tale-inspired musical. With expert comedic timing and one of the most soaring, effortlessly beautiful singing voices I have ever heard on a stage, Rose is a true talent, and I eagerly anticipate seeing her perform in future productions throughout the city.<\/p>\n<p class=\"p1\">That said, \u201cInto the Woods\u201d is a musical that incorporates several classic fairy tales into a genre-defying narrative of magic and morality, and in a musical of such complexity and ambition, one role does not make the whole musical; and thankfully, Writers Theatre continued its history of excellence with a cast and crew that did Sondheim proud. Under the direction of Gary Griffin, the actors \u2013 who include such talents as Bethany Thomas (a sensational Witch), Michael Mahler (a terrific Baker), Lucy God\u00ednez (a wonderfully bratty Little Rid Riding Hood), and Brianna Borger (a nuanced Baker\u2019s Wife) \u2013 handle Sondheim\u2019s demanding music with aplomb, as they breeze through his complex melodies and linguistically intimidating lyrical feats. \u201cInto the Woods\u201d is a musical with two distinct acts \u2013 a riveting, rollicking first act, and an extraordinarily dark, bloody second act \u2013 and it is a further testament to these actors that they do not merely excel at one of those acts, but rather, that they thrive in both settings.<\/p>\n<p class=\"p1\">And what a setting! I expect superb work from the Writers team each time I am there, but the phantasmagorical sets of \u201cInto the Woods\u201d set a new standard for musicals in the company\u2019s space. Scott Davis\u2019 scenic design is an expert example of \u201cless is more\u201d \u2013 various greenery hung from the rafters to capture the density of the woods, while a large, mangled tree not only encompassed the show\u2019s first-rate band, but also complemented the musical\u2019s themes; Sondheim does not merely adapt fairy tales, but rather, contorts and interrogates them through the medium of musical theater. And it is through Lee Fiskness\u2019 astonishing lighting that the show really shines. With strategically placed lights to the sides of the main performing space, Fiskness brings out a greater depth in Davis\u2019 sets that initially meets the eye; in other words, what begins as a performing space for reimagined fairy tales becomes something far more dense and horrifying.<\/p>\n<p class=\"p1\">It is always a joy seeing Sondheim performed, but Sondheim performed <i>well<\/i> is unlike any other theatrical experience, and Writers Theatre has provided a most fine testament to the master\u2019s musical ingenuity.<\/p>\n<p class=\"p4\"><span class=\"s1\"><b>Musical Numbers:<\/b><\/span><\/p>\n<p class=\"p4\"><span class=\"s1\"><b>Act One<\/b><\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">Prologue: Into the Woods<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">Hello, Little Girl<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">I Guess This Is Goodbye<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">Maybe They\u2019re Magic<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">I Know Things Now<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">A Very Nice Prince<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">Giants in the Sky<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">Agony<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">It Takes Two<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">Stay With Me<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">On the Steps of the Palace<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">Ever After<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">\u00a0<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\"><b>Act Two<\/b><\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">Prologue: So Happy<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">Agony<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">Lament<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">Any Moment<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">Moments in the Woods<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">Your Fault<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">Last Midnight<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">No More<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">No One Is Alone<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">Finale: Children Will Listen<\/span><\/p>\n<p class=\"p1\"><b>Highly Recommended<\/b><\/p>\n<p class=\"p1\"><b>Playing through September 22 at Writers Theatre, 325 Tudor Court, Glencoe IL, 60022<\/b><\/p>\n<p class=\"p1\"><b>Tickets are available at writerstheatre.org, or by calling 847-242-6000<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Peter Thomas Ricci One of the marque pleasures of theater-going is experiencing new talent for the first time. As enjoyable as it is seeing veteran actors tackle new roles [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":38240,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[39,41,245,20],"tags":[],"class_list":["post-38239","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-news","category-features","category-musical-theatre","category-reviews"],"_links":{"self":[{"href":"http:\/\/beintheloopchicago.com\/index.php?rest_route=\/wp\/v2\/posts\/38239","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/beintheloopchicago.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/beintheloopchicago.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/beintheloopchicago.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/beintheloopchicago.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=38239"}],"version-history":[{"count":0,"href":"http:\/\/beintheloopchicago.com\/index.php?rest_route=\/wp\/v2\/posts\/38239\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/beintheloopchicago.com\/index.php?rest_route=\/wp\/v2\/media\/38240"}],"wp:attachment":[{"href":"http:\/\/beintheloopchicago.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=38239"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/beintheloopchicago.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=38239"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/beintheloopchicago.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=38239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}