{"id":2129,"date":"2015-02-10T16:01:43","date_gmt":"2015-02-10T22:01:43","guid":{"rendered":"https:\/\/beintheloopchicago.com\/?p=2129"},"modified":"2015-06-10T15:04:46","modified_gmt":"2015-06-10T20:04:46","slug":"chicago-artist-ministry","status":"publish","type":"post","link":"http:\/\/beintheloopchicago.com\/?p=2129","title":{"rendered":"Chicago Artist : Ministry"},"content":{"rendered":"

Ministry<\/b>\u00a0is an\u00a0American<\/a>\u00a0industrial metal<\/a>\u00a0band founded by lead singer\u00a0Al Jourgensen<\/a>\u00a0in 1981. Originally a\u00a0new wave<\/a>synthpop<\/a>\u00a0outfit, Ministry changed its style to industrial metal in the mid-1980s. Ministry found mainstream success in the early 1990s with its most successful album\u00a0Psalm 69: The Way to Succeed and the Way to Suck Eggs<\/a><\/i>\u00a0(1992) and touring as part of the\u00a0Lollapalooza<\/a>\u00a0festival.<\/p>\n

After 27 years of performing, Jourgensen decided to end the band in 2008, saying a reunion would never happen. However, in August 2011, a reunion was announced, when Ministry confirmed they would play one of their first shows in four years at the\u00a0Wacken Open Air<\/a>\u00a0festival in August 2012.[3]<\/a><\/sup>\u00a0Ministry released a new album,\u00a0Relapse<\/a><\/i>, on March 23, 2012, which was followed by a\u00a0world tour<\/a>.[4]<\/a><\/sup>\u00a0Following the death of long time guitarist\u00a0Mike Scaccia<\/a>, Ministry released their final album\u00a0From Beer to Eternity<\/a><\/i>\u00a0in September 2013, but still plan to tour in support of that album.<\/p>\n

Al Jourgensen began Ministry in\u00a0Chicago<\/a>,\u00a0Illinois<\/a>\u00a0in 1981. His first band prior to Ministry was Special Affect with Groovie Mann (of\u00a0My Life With the Thrill Kill Kult<\/a>), drummer Harry Rushakoff (Concrete Blonde<\/a>) and bassist Marty Sorenson. After that was the short-lived Silly Charmichaels,[5]<\/a><\/sup>\u00a0with Ben Krug,[6]<\/a><\/sup>\u00a0Tom Krug and Tom Wall (all of\u00a0The Imports<\/a>).<\/p>\n

The original line-up of Ministry consisted mainly of Jourgensen (vocals and guitar),\u00a0Stephen George<\/a>\u00a0(drums), Robert Roberts (keyboards), and John Davis (keyboards), although with a few personnel changes, the band’s image would begin to focus more on Jourgensen and Stephen George. Ministry’s original sound was essentially\u00a0new wave<\/a>synthpop<\/a>\u00a0that was more melodic and stylized than the aggressive music for which they would become known. Ministry released four 12″ singles on\u00a0Wax Trax! Records<\/a>\u00a0from 1981 to 1984 (anthologized on\u00a0Twelve Inch Singles (1981\u20131984)<\/a><\/i>\u00a0that featured the club favorite “Everyday Is Halloween<\/a>“).<\/p>\n

Their first LP\u00a0With Sympathy<\/a><\/i>, was issued on Arista Records in 1983 and hit the upper 90s in the\u00a0Billboard<\/i>\u00a0200<\/a>. The LP was well received by college radio fans initially and became common in many new wave album collections at the time. The music in\u00a0With Sympathy<\/a><\/i>\u00a0and the singles Arista issued in association with it were a melodic type of synthpop and part of the\u00a0new wave<\/a>\u00a0sound growing in popularity in the early 1980s. Songs from the LP were played live as an opening act for\u00a0The Police<\/a>\u00a0during the Synchronicity Tour’s North American leg, the band was well received by the large arena audiences. Jourgensen has expressed disappointment with some of Ministry’s recordings during those early years. According to him, after signing the record contract, all artistic control of Ministry was “handed” over to other writers and producers.[7]<\/a><\/sup>\u00a0Some of his preferred recordings from that era were collected into the CD\u00a0Early Trax<\/a><\/i>\u00a0(Rykodisc Records<\/a>, 2004).<\/p>\n

By the mid-1980s, Jourgensen parted ways with George and signed to\u00a0Sire Records<\/a>. Jourgensen performed mostly solo for Ministry’s next LP,\u00a0Twitch<\/a><\/i>\u00a0(1986), which sold well, but was still considered to be “underground”. The music was danceable electronic music, but wasn’t pop music, and the sound was harsher and more aggressive than what Ministry had recorded before. According to Jourgensen, “Twitch<\/i>\u00a0was stuff that I was doing before\u00a0With Sympathy<\/i>\u00a0came out. Some of that stuff was already four or five years old, but the record company didn’t want to use it, so…”.[8]<\/a><\/sup>\u00a0Much of the new sound was created with the use of\u00a0digital sampling<\/a>\u00a0and the input of producer\u00a0Adrian Sherwood<\/a>.<\/p>\n

After\u00a0Twitch<\/i>, Jourgensen made the most significant change in Ministry’s history when he became re-enchanted with the electric guitar. Jourgensen also brought bass guitarist\u00a0Paul Barker<\/a>\u00a0of the Seattle band\u00a0The Blackouts<\/a>\u00a0into the Ministry camp; Barker would remain Jourgensen’s bandmate for many years when he was the only person credited as a member of the band other than Jourgensen. With the addition of The Blackouts drummer\u00a0William Rieflin<\/a>, Ministry recorded\u00a0The Land of Rape and Honey<\/a><\/i>\u00a0(1988). The album continued their success in the underground music scene.\u00a0The Land of Rape and Honey<\/i>\u00a0made use of synthesizers, keyboards, tape loops, jackhammering drum machines, dialogue excerpted from movies, unconventional electronic processing, and, in parts, heavy distorted electric guitar and bass.<\/p>\n

The album was supported by a tour in 1988 and the singles and music videos for “Stigmata<\/a>” and “Flashback<\/a>“. Stigmata was also used in a key scene in Richard Stanley’s 1990 film\u00a0Hardware<\/a><\/i>, although the band shown performing the song was\u00a0Gwar<\/a>.<\/p>\n

The follow-up,\u00a0The Mind Is a Terrible Thing to Taste<\/a><\/i>\u00a0was supported by a tour from 1989 to 1990. Due to the complex nature of the album’s drumming, a second drummer,\u00a0Martin Atkins<\/a>, was used. In addition to Atkins, a ten piece touring line-up was formed, consisting of\u00a0Chris Connelly<\/a>\u00a0(keyboards and vocals),\u00a0Nivek Ogre<\/a>(vocals and keyboards), Joe Kelly (vocals and backing vocals) and guitarists\u00a0Mike Scaccia<\/a>,\u00a0Terry Roberts<\/a>, and\u00a0William Tucker<\/a>, with Jourgensen, Barker and Rieflin serving as the groups core members. This tour was documented on\u00a0In Case You Didn’t Feel Like Showing Up<\/a><\/i>. Three singles, Thieves, “Burning Inside<\/a>” (for which a video was made), and So What where released from the album.<\/p>\n

Throughout the late 1980s Jourgensen and Barker expanded their ideas beyond Ministry into a seemingly endless parade of side projects and collaborations. Many of these bore Ministry’s signature sound and the duo’s “Hypo Luxa\/Hermes Pan” production imprint. (These side-projects were also responsible for the delayed release of Ministry’s next album.) Foremost of these was Ministry’s alter ego, the\u00a0Revolting Cocks<\/a>. “RevCo”, as it is often referred to, essentially became the same band as it had originally featured Belgian musicians\u00a0Richard 23<\/a>\u00a0(of\u00a0Front 242<\/a>) and\u00a0Luc Van Acker<\/a>. Jourgensen and Barker also formed\u00a0Lard<\/a>\u00a0with\u00a0Dead Kennedys<\/a>\u00a0lead singer\u00a0Jello Biafra<\/a>,\u00a0Acid Horse<\/a>\u00a0with\u00a0Cabaret Voltaire<\/a>,\u00a01000 Homo DJs<\/a>\u00a0(which featured\u00a0Nine Inch Nails<\/a>‘\u00a0Trent Reznor<\/a>\u00a0doing vocals on a cover ofBlack Sabbath<\/a>‘s\u00a0Supernaut<\/i>),\u00a0PTP<\/a>\u00a0with\u00a0Chris Connelly<\/a>\u00a0and\u00a0Pailhead<\/a>\u00a0with\u00a0Ian MacKaye<\/a>\u00a0of\u00a0Minor Threat<\/a>\u00a0and\u00a0Fugazi<\/a>.<\/p>\n

Barker released his own material as\u00a0Lead into Gold<\/a>\u00a0and Jourgensen produced and played electric guitar on\u00a0Skinny Puppy<\/a>‘s\u00a0Rabies<\/i>\u00a0LP. Atkins and Rieflin also formed the band\u00a0Pigface<\/a>, which featured Barker on several tracks, as well. The smaller of these projects were later collected on the CD\u00a0Side Trax<\/a><\/i>\u00a0(Rykodisc Records, 2004), and the RevCo discography was remastered and reissued.<\/p>\n

Ministry broke into the mainstream in 1991 with “Jesus Built My Hotrod<\/a>” (co-authored by\u00a0Gibby Haynes<\/a>\u00a0of the\u00a0Butthole Surfers<\/a>\u00a0and Michael Balch of\u00a0Frontline Assembly<\/a>\u00a0affiliation). The\u00a0music video<\/a>\u00a0was a hit, and the band scored second billing on the Lollapalooza tour and managed, by some accounts, to steal the show. As the single would have indicated, the sound of the following LP,\u00a0Psalm 69: The Way to Succeed and the Way to Suck Eggs<\/a><\/i>\u00a0(1992), was the most metal-oriented Ministry had put to record at that point, the focal point of the sound shifting almost entirely from synths to Jourgensen’s and new members\u00a0Mike Scaccia<\/a>‘s andLouis Svitek<\/a>‘s electric guitars.<\/p>\n

\u039a\u0395\u03a6\u0391\u039b\u0397\u039e\u0398<\/b>, which is printed on the record, is a\u00a0concatenation<\/a>\u00a0of “\u03ba\u03b5\u03c6\u03b1\u03bb\u03ae” (Greek<\/a>\u00a0for “head” or “leader”) and “\u039e\u0398” (the number 69 in\u00a0Greek numerals<\/a>). The title was borrowed from\u00a0Aleister Crowley<\/a>‘s work:\u00a0The Book of Lies<\/a>\u00a0(Chapter 69, “The Way to Succeed\u2014and the Way to Suck Eggs!”).\u00a0Psalm 69<\/i>\u00a0became Ministry’s biggest hit, including in addition to “Jesus Built My Hotrod”, the singles “N.W.O.” (a protest of the\u00a0Persian Gulf War<\/a>\u00a0and attack directed at then-President George H.W. Bush<\/a>) and “Just One Fix” (a collaboration with poet\/novelist\u00a0William S. Burroughs<\/a>). The single “N.W.O.” was used in the 1992 live-action\/animated movie\u00a0Cool World<\/a><\/i>. Later, NWO was used in\u00a0Need For Speed – The Run<\/i>\u00a0video game.<\/p>\n

In 1994, Ministry performed at the\u00a0Bridge School Benefit<\/a>\u00a0charity concert<\/a>, covering songs by\u00a0Bob Dylan<\/a>,\u00a0Ten Years After<\/a>, and\u00a0The Grateful Dead<\/a>, and playing a new song, “Paisley”, which was intended to be on their next album. In 1995, Ministry was one of the headlining acts for\u00a0Australia<\/a>\u00a0and\u00a0New Zealand<\/a>‘s\u00a0Big Day Out<\/a>\u00a0touring festival. In spite of their growing success, Ministry was nearly derailed by a series of arrests and drug problems.[citation needed<\/span><\/a><\/i>]<\/sup>\u00a0The band did not issue their next album,\u00a0Filth Pig<\/a><\/i>, until 1996. For\u00a0Filth Pig<\/i>, Ministry stripped all synthesizers and most samples from their style and made the music almost entirely with ultra-noisy guitars, heavy bass, and real drums.<\/p>\n

The songs were played mostly at slower tempos than the very fast ones that were used for the compositions on their previous three LPs, giving it an almost\u00a0doom metal<\/a>\u00a0feel.\u00a0Filth Pig<\/i>\u00a0was supported with the singles\/videos “Reload<\/a>“, “The Fall<\/a>“, “Lay Lady Lay<\/a>” (an unusual and unexpected cover of Bob Dylan’s old\u00a0country<\/a>-tinged hit) and “Brick Windows” and with a tour in 1996 (the live performances were later anthologized on the\u00a0Sphinctour<\/a><\/i>\u00a0album and DVD in 2002). The album has been considered by Jourgensen to be his response to fan expectations of where Ministry’s sound was heading.<\/p>\n

Ministry recorded their final studio album for Warner Bros. Records,\u00a0Dark Side of the Spoon<\/a><\/i>\u00a0(1999), which they dedicated to William Tucker, who committed suicide earlier that year. For\u00a0Dark Side of the Spoon<\/i>, Ministry tried to diversify their sound by adding some melodic and synthetic touches, to their usual electro-metal sound, along with some jazz influences, but the album was not well received. However, the single “Bad Blood<\/a>” appeared on the\u00a0soundtrack album of\u00a0The Matrix<\/i><\/a>and was nominated for a 2000 Grammy award.<\/p>\n

In the summer of 2000, Ministry was invited to that year’s\u00a0Ozzfest<\/a>. They would fill in the co-headliner position left vacant by a failed-reuniting of the original\u00a0Judas Priest<\/a>. Ministry was later dropped from the bill after a management changeover. They were replaced by\u00a0Soulfly<\/a>.<\/p>\n

After Ministry parted ways with their longtime record label Warner Bros. Records, the label issued the collection\u00a0Greatest Fits<\/i>\u00a0in 2001, which featured a new song, “What About Us?”. Ministry would later perform the song in a cameo appearance in the Steven Spielberg film\u00a0AI: Artificial Intelligence<\/a><\/i>. During the years 2000-2002, disputes with Warner Bros. Records resulted in the planned albums\u00a0Live Psalm 69<\/i>,\u00a0Sphinctour<\/i>\u00a0and\u00a0ClittourUS<\/i>\u00a0on\u00a0Ipecac Recordings<\/a>\u00a0being canceled.\u00a0Sphinctour<\/i>was released on\u00a0Sanctuary Records<\/a>.<\/p>\n

Around 2001, Jourgensen almost lost his arm when he was bitten by a venomous spider, but, refusing to stay in the hospital, he lost his big toe instead.[9]<\/a><\/sup>According to Jourgensen, the realization that he could have lost his livelihood caused him to kick his heroin addiction and focus on music once again. Jourgensen and Barker, along with\u00a0Max Brody<\/a>\u00a0who had joined as a saxophone player for the 1999 tour, focused on developing songs for a new record during 2001 and 2002, with the band issuing\u00a0Animositisomina<\/a><\/i>\u00a0on Sanctuary Records in 2003. The sound was strongly heavy metal laden with voice effects, and matched the ferocity ofPsalm 69<\/i>\u00a0(though it featured an almost-pop cover of\u00a0Magazine<\/a>‘s “The Light Pours Out Of Me”).\u00a0Animositisomina<\/i>\u00a0did poorly in terms of sales and singles for “Animosity” and “Piss” were canceled before they could be released.<\/p>\n

Barker left the Ministry camp in 2003. He stated that the trigger was his father dying while the band was wrapping up a summer tour in Europe, and also stated in early 2004 that his family life was his main focus at that particular time. Jourgensen continued Ministry with Mike Scaccia and various other musicians.<\/p>\n

For Ministry’s next album, Jourgensen released the song “No W<\/a>“, an attack on then-U.S. President\u00a0George W. Bush<\/a>; an alternate version of the track was placed on the multi-performer compilation\u00a0Rock Against Bush, Vol. 1<\/a><\/i>. The follow-up LP,Houses of the Mol\u00e9<\/a><\/i>\u00a0(2004), contained the most explicitly political lyrics Jourgensen had yet written, with songs in Ministry’s classic\u00a0industrial<\/a>\u00a0electro-metallic sound played messier, more crudely and more freely than ever before, giving the album the most metal-oriented sound of their career. In 2006 the band released\u00a0Rio Grande Blood<\/a><\/i>, an LP on Jourgensen’s own13th Planet Records<\/a>. With\u00a0Prong<\/a>‘s\u00a0Tommy Victor<\/a>\u00a0and\u00a0Killing Joke<\/a>‘s\u00a0Paul Raven<\/a>, the album featured an even heavier thrash metal sound drawing comparison to\u00a0Slayer<\/a>. The single “Lieslieslies” was nominated for the\u00a0Grammy Award for Best Metal Performance<\/a>\u00a0at the 49th annual Grammy Awards. It, along with another song on the album, “The Great Satan”, is also available as a\u00a0downloadable content<\/a>\u00a0song for the 2008 video game\u00a0Rock Band 2<\/a>. In July 2007, the band released\u00a0Rio Grande Dub<\/a><\/i>, an album featuring remixes from the band’s 2006\u00a0Rio Grande Blood<\/a><\/i>\u00a0album.<\/p>\n

Ministry’s “final” album,[10]<\/a><\/sup>\u00a0The Last Sucker<\/a><\/i>, was released on September 18, 2007.<\/p>\n

On June 4, 2007, Al Jourgensen filed a\u00a0Tortious Interference<\/a>\u00a0lawsuit against ex-bassist\u00a0Paul Barker<\/a>\u00a0and Spurburn Music in Los Angeles Superior Court.[11]<\/a><\/sup>\u00a0(case #SC094122) The case was dismissed on October 24, 2008.<\/p>\n

Paul Raven<\/a>\u00a0died on October 20, 2007.[12]<\/a><\/sup>\u00a0He suffered an apparent heart attack shortly after arriving in Europe to commence recording for the French industrial band\u00a0Treponem Pal<\/a>\u00a0near the Swiss border.<\/p>\n

Al Jourgensen remixed and co-produced Spyder Baby’s “Bitter”, which was released by Blind Prophecy Records in early 2008.<\/p>\n

A song titled “Keys to the City<\/a>“, the theme song for the\u00a0Chicago Blackhawks<\/a>\u00a0was released on March 5, 2008. In addition to this single, two albums of covers\/remixes,\u00a0Cover Up<\/a><\/i>\u00a0(April 1, 2008) and\u00a0Undercover<\/a><\/i>\u00a0(December 7, 2010) were released. All of these releases are credited to\u00a0Ministry and Co-Conspirators<\/b>, since they feature\u00a0collaborations<\/a>\u00a0between Al Jourgensen and other musicians.<\/p>\n

Ministry’s farewell tour, the “C-U-LaTour”, started its North American leg on March 26, 2008 with\u00a0Meshuggah<\/a>\u00a0performing as special guests and\u00a0Hemlock<\/a>\u00a0as an opening act. They played their final North American show in Chicago on 12 May 2008.[13]<\/a><\/sup>\u00a0The final date on their farewell tour was at the Tripod in Dublin, Ireland on 18 July 2008. During the performance, Jourgensen repeatedly reaffirmed it would indeed be the last ever Ministry show. Due to a large demand for tickets, an extra gig was added at the Tripod on 19 July 2008. The band again played to a full house. Ministry’s final song at this show (and ostensibly their last ever live performance) was a rendition of their cover version of “What a Wonderful World<\/a>“[14]<\/a><\/sup>\u00a0to the music of “Jesus built my Hot-Rod”.<\/p>\n

Adios… Puta Madres<\/a><\/i>, a live album featuring material culled from Ministry’s final tour, was released in 2009 on CD and DVD.[15]<\/a><\/sup><\/p>\n

Three of the group’s songs were featured in the\u00a0Academy Award<\/a>-winning 2009 film\u00a0The Hurt Locker<\/a><\/i>.<\/p>\n

A\u00a0documentary film<\/a>\u00a0called\u00a0Fix: The Ministry Movie<\/a><\/i>\u00a0(original title: Fix) was planned for release sometime in 2010. However, the release date was pushed back to early 2011. The documentary premiered at the Chicago International Movies & Music Festival. Jourgensen sued the maker, Doug Freel, for failing to fulfill his part of the contract (giving Jourgensen approval over the final cut, along with “thousands of dollars”).[16]<\/a><\/sup>\u00a0The lawsuit was dropped in July 2011. On July 21, the film was screened privately at the Music Box Theater in Los Angeles.<\/p>\n

On August 7, 2011, it was announced that Ministry was reforming and would play at Germany’s\u00a0Wacken Open Air<\/a>\u00a0festival, set to take place August 2\u20134, 2012.[3]<\/a><\/sup>The reunion lineup featured\u00a0Al Jourgensen<\/a>\u00a0on vocals,\u00a0Mike Scaccia<\/a>\u00a0and\u00a0Tommy Victor<\/a>\u00a0both on guitar,\u00a0Aaron Rossi<\/a>\u00a0on drums,\u00a0John Bechdel<\/a>\u00a0on keyboards andTony Campos<\/a>\u00a0on bass.[17]<\/a><\/sup><\/p>\n

Jourgensen told Metal Hammer in August 2011 that Ministry was working on a new album called\u00a0Relapse<\/a><\/i>, which they hoped to release by Christmas. Regarding the sound of the new material, he explained, “We’ve only got five songs to go. I’ve been listening to it the last couple of weeks and I wasn’t really in the mood, I was just taking it as a joke. Just to pass the time at first but [Mikey’s] raving about it. It’s like, dude c’mon, this is not about Bush, so\u2026 that part’s over. The ulcers are gone and Bush is gone so it’s time for something new. I think this is actually gonna wind up being the fastest and heaviest record I’ve ever done. Just because we did it as anti-therapy therapy against the country music we would just take days off and thrash faster than I’ve done in a long time, faster than Mikey’s done in a long time. He just did a\u00a0Rigor Mortis<\/a>\u00a0tour and said it was easy compared to this Ministry stuff so it’s gonna be brutal and it’s gonna freak a lot of people out.”[17]<\/a><\/sup><\/p>\n

Ministry announced on their website that they entered the studio on September 1, 2011 with engineer Sammy D’Ambruoso to begin recording their new album.[3]<\/a><\/sup>During the third webisode featuring behind-the-scenes footage from the making of\u00a0Relapse<\/i>, a release date of March 3, 2012 was announced.[18]<\/a><\/sup><\/p>\n

On December 23, 2011, Ministry released “99 Percenters<\/a>“, the first single from\u00a0Relapse<\/i>, and began streaming it on their Facebook page two days later. On February 22, 2012, Ministry released a second single, “Double Tap<\/a>“, which was included in the April 2012 issue of the\u00a0Metal Hammer<\/a>\u00a0magazine. On March 23, 2012,\u00a0Relapse<\/i>\u00a0was released.[19]<\/a><\/sup><\/p>\n

On December 23, 2012, guitarist Mike Scaccia died[20]<\/a><\/sup>\u00a0following an on-stage heart attack, while playing with his other band, Rigor Mortis.[21]<\/a><\/sup><\/p>\n

In an interview with\u00a0Noisey<\/i>\u00a0in March 2013, Jourgensen announced that Ministry would break up again, explaining that he does not want to carry on without Scaccia. “Mikey was my best friend in the world and there’s no Ministry without him”, he said. “But I know the music we recorded together during the last weeks of his life had to be released to honor him. So after his funeral, I locked myself in my studio and turned the songs we had recorded into the best and last Ministry record anyone will ever hear. I can’t do it without Mikey and I don’t want to. So yes, this will be Ministry’s last album.”[22]<\/a><\/sup>\u00a0The album, titled\u00a0From Beer to Eternity<\/a><\/i>, was released on September 6, 2013. Jourgensen has stated that Ministry plans to tour in support of\u00a0From Beer to Eternity<\/i>, but will not record any more albums.<\/p>\n

(source wikipedia)<\/p>\n","protected":false},"excerpt":{"rendered":"

Ministry\u00a0is an\u00a0American\u00a0industrial metal\u00a0band founded by lead singer\u00a0Al Jourgensen\u00a0in 1981. Originally a\u00a0new wavesynthpop\u00a0outfit, Ministry changed its style to industrial metal in the mid-1980s. Ministry found mainstream success in the early 1990s […]<\/p>\n","protected":false},"author":3,"featured_media":2130,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[46],"tags":[],"class_list":["post-2129","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-local-loop"],"_links":{"self":[{"href":"http:\/\/beintheloopchicago.com\/index.php?rest_route=\/wp\/v2\/posts\/2129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/beintheloopchicago.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/beintheloopchicago.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/beintheloopchicago.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/beintheloopchicago.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2129"}],"version-history":[{"count":0,"href":"http:\/\/beintheloopchicago.com\/index.php?rest_route=\/wp\/v2\/posts\/2129\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/beintheloopchicago.com\/index.php?rest_route=\/wp\/v2\/media\/2130"}],"wp:attachment":[{"href":"http:\/\/beintheloopchicago.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/beintheloopchicago.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2129"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/beintheloopchicago.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}